WFMU : DJ/RUPTURE’S SHOW

This week on March 19th from 7pm to 8pm I’ll be at dj/rupture’s radio show on WFMU in NYC area 91.1 FM and 90.1 FM (wfmu.org).
Be sure to listen to a selection of music and a interview as well.
What we gonna talk about ? I don’t know. But I have plenty of controversial quotes to say like usual !

Listen to the show in streaming : here.

BRAND NEW/OLD

Yep, two brand new/old tracks updloaded in the audio/download section.

NO MORE BLOOD


(cover art by Sixtoo/Speakerbruiser)

NO MORE BLOOD feat. FACE-T

1. NO MORE BLOOD feat. FACE-T (ORIGINAL)
2. NO MORE BLOOD feat. FACE-T (DEADBEAT REMIX)
3. IGNADJOSSI feat. JHONEL
4. NO MORE BLOOD feat. FACE-T (HUDSON MOHAWKE REMIX)

Digital release : April 18th

SXSW

Here’s my schedule for live and DJ gigs :

March 12
- Canadian BBQ - DJ set w/ MC Zulu from 6:20pm to 7pm
At Brush Square Park

March 13 - Above The Radar - DJ set from 5pm to 7pm
At Trophys (2008 South Congress Ave.)

March 13 - Ninja Tune Showcase @ Elysium - Live set with drummer + MC Zulu. From 00:30am until 2am
At Elysium (705 Red River St.)

March 14 - Levi’s/Fader Fort - DJ set from 3pm to 6pm (playing between the live bands)
At 204 E. 4th St.

US TOUR STARTING NOW !

March 7 - NEW YORK - Sub Swara @ LOVE - DJ set
March 8 - CHICAGO - No Mas Tequila @ Subterranean w/ DJ C, Muderbot, Zebo - DJ set
March 9 - BALTIMORE - Taxlo Dance
Afterparty following Justice’s show @ Sonar w/ Scottie B - DJ set
March 10 - BOSTON - Beat Research @ Enormous Room w/ DJ Thick, Wayne & Wax, DJ Flack - DJ set
March 12 - AUSTIN - SXSW - Canadian BBQ w/ Megasoid, Skratch Bastid, Cadence Weapon, Grand Analog - DJ set
March 13 - AUSTIN - SXSW - Above The Radar - DJ set + Ninja Tune Showcase @ Elysium - Live set
March 14 - AUSTIN - SXSW - Levi’s/Fader Fort - DJ set
March 15 - BARD COLLEGE (NY) - Manor - DJ set

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BE CAREFUL WITH 12″

Releasing music is dangerous.

Last week I was in Brooklyn walking from Williamsburg bridge to Curses!/Drop The Lime’s house when a 12 inch flew out of a window and just missed me. It was one of your releases on Shockout (Tigerbeat6) ! From the noise in the apartment it was obviously a domestic argument rather than a reaction to the music but, still, quite bizzare !
- Shaun (Fabric - UK)


BEARS IN JAPAN

In Tower Records in Japan !

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EARPLUG INTERVIEW

Nice interview/article in Earplug !

MORE BOUNCE TO THE OUNCE
Ghislain Poirier fattens up Montreal’s sound

When Ghislain Poirier emerged earlier this decade, he came bearing jagged, techno-influenced instrumental hip-hop. But as the Montreal native spent more time behind the turntables after founding influential local party Bounce le Gros, his DJ instincts led him in an increasingly eclectic, dance-floor-minded direction. No Ground Under, his sixth LP and first for Ninja Tune, takes in dancehall, crunky hip-hop, dubstep, massive bass, Arabic rhythms, and, most strikingly, blazingly fast soca. Earplug’s Jesse Serwer spoke to Poirier about his evolving tastes, getting Quebecois hipsters to freak out over Caribbean carnival music, and recreating 162 BPM rhythms on a drum kit.

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Earplug:
You have soca on the record — something you almost never hear producers experiment with. There’s a huge Trinidadian and Guyanese presence in New York, where they play soca, but no one else knows what it is; or, if they do, they dislike it. It’s not for everybody.

GP: It’s extreme. I discovered soca completely at random. I was record shopping, saw a CD and said, “What is that?” I wasn’t sure if I liked it, but a friend bought it. A couple of months later, I was at his house and I thought, “Hmmm, I like this.”

Earplug : How have you gone about bringing live drums into the mix for your shows?

GP: I’ve busted my ass to have a real live show. It’s hard, man. I have a lot of respect for my drummer. I’m asking him to play for 15 minutes straight sometimes, and in those 15 minutes, there’ll be nine different beats in all different tempos. It’s like a marathon. I decided to incorporate my remix of (JMC Triveni and Bunji Garlin’s soca track) “Doi Festival” in the live show. When I emailed him the track, he called five minutes later saying, “No way, it’s too fast.” It’s 162 BPM and [it comes] at the end of an hour show! He thought he could only play it for 30 seconds, but we rehearsed a lot and now he’s able to do it — and even play after that song. He’s able to do the sprint, finish the marathon, and still run. He’s a beast.

Full interview here.

UNCUT REVIEW

Review in UNCUT magazine.

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INDEPENDENT MUSIC AWARD

I’m nominated in the category :
“FAVOURITE ELECTRONICA ARTIST/GROUP OR DUO OF THE YEAR”

Your vote is essential for me !
http://indiscover.net/indies13